Sponsored by the Nanjing Museum and the Beijing Fine Art Academy (Chinese ancient calligraphy and painting research•Nanjing Museum Collections) " Only the hometown mountains is not tired of looking at —The Ming and Qing Dynasties real landscapes exhibition" will be held on July 25,2015 to August 18 at Art Museum of Beijing Fine Art Academy. This is Beijing Fine Art Academy following the" A series of collected works of Qi Baishi Beijing Fine Art Academy " and" the Twentieth Century Chinese Artists Series exhibition ", introduced another a series of thematic exhibition again. The exhibition to the real landscape theme as the breakthrough point, gathered Wen Zhengming, Shitao, Kuncan, Gongxian, Wanghui and other more than thirty painters masterpieces of Ming and Qing Dynasties, hope that through research and display the real landscape theme, provide some inspiration and deep reflection for the current problem of painting. During the exhibition, An album of paintings which blended of works, theory of painting, poems and researches will also meet with readers.
Brand new series,Beijing Fine Art Academy combines with Museums to start the study of the ancient calligraphy and painting
Since 2007, Art Museum of Beijing Fine Art Academy hosted "the Twentieth Century Chinese Artists Series exhibition " has been successfully combing and studied art history of more than thirty artists. This year, Beijing Fine Art Academy will look to the ancient Chinese painting and calligraphy, officially opened the new unit of the "study of ancient Chinese calligraphy and painting", and hosted by the Art Museum of Beijing Fine Art Academy and Beijing Academy of traditional Chinese Painting Research Center. Thereafter, Beijing Fine Art Academy will cooperate with museums, take advantage of the museum's collection resources and the research achievements of Beijing Fine Art Academy, showing the unique charm of ancient Chinese calligraphy and painting to the audience. This is a new exploration and research model. Since 2012, Beijing Fine Art Academy has gradually established a good cooperative relationship with Nanjing Museum, the Museum of Liaoning Province, the Museum of Jilin Province, Shanxi Museum, formed a joint display mode of the art museums and museums. The new model of the complementary advantages will be display more traditional art in the form of novel for the audience.
Real landscapes, look at the ancient famous artists’s landscape postcards
Real landscape is a category of Chinese traditional landscape painting according to the theme, with more realistic portrayal of the natural mountains and rivers, scenic spots and historical sites, Garden Mansion and other objective scenery. Compared to the painter after traveling, rely on eye recognition and heart painted a landscape painting, real landscape painting is more real and identifiable. It originated in the Wei and Jin Dynasties, matured in Sui and Tang Dynasties, song and Yuan Dynasties reached its peak, the contents of the Ming and Qing Dynasties became more and more.The Song Dynasty of Zhang Zeduan’s "Riverside Scene at Qingming Festival", the Yuan Dynasty of Huang Gongwang’s "Fuchun mountains", the Qing Dynasty of Xuyang’s " Southern Qianlong "which are the real landscape masterpiece.
The exhibition based on this topic, through the literati real landscape works of the Ming and Qing Dynasties, showing the literati of Zhejiang travelled fashion, a remnant of the ancient capital of Nanjing sigh, the private garden building boom and imagine the landscape of valentine from a distance to the audience. Every piece of work, like landscape postcards with emotion, speak out the artist's love of hometown mountains and the hope for tour.
Four plates, taking you to feel the painter’s love of hometown and country of the Ming and Qing Dynasties
It is a special period in Chinese history from 16 to 19 Century. During this period, in terms of politics, China has experienced a change from Ming to Qing Dynasty; In terms of economy, there has appeared the development of commodity economy and the rise of civil class. Therefore, the real landscape brewed in this historical background is composed of various emotions. The exhibition according to emotional rhythm and urgency, divided into four sections: The late Ming and early Qing Dynasty, the literati express their nostalgia; The painter's passion for the landscape tourism; The reestablishment political aspirations of regional culture of Zhejiang scholars during the Ming and Qing Dynasties; The garden scene that has been reconstructed several hundred years ago.
The exhibition and research of Beijing Fine Art Academy always facing the confusion of modern art as well as the problems in the inheritance and innovation. The " Only the hometown mountains is not tired of looking at —The Ming and Qing Dynasties real landscapes exhibition" is aiming at the problem of ancient people how to treat the scene. Different from the contemporary painter turn photographic painting into a painting creation, the ancients through the observation and memory to describe the scenery in their heart. Although the performance is sight scene, the paintings is reflects the literati's subjective feelings and knowledge. Therefore, the present people's reference to the ancient landscape painting should not only stay in the ink level ,but also understand the ancients the way of observe and understand the world. Exhibition hope the audience can selected its own classic from different times, different styles of real landscape painting, enter the ancient traditional for essence of the ancients.
Exhibition preview:
To commemorate the Seventieth Anniversary of the victory of the Chinese people's Anti Japanese War and the world anti fascist war, Art Museum of Beijing Fine Art Academy will held the "Big Love Elegy¬—Zhou Sicong Lu Shen the Miner Paintings research Exhibition" in the first and second floor hall on July 29,2015 to August 31,2015. The exhibition is an important part of the cultural organization of the National Art Museum collection exhibition season this year, please look forward to!